francesco simeti

Ambiguity mingled with beauty is one of the characteristics of his work, which ranges from site specific installations both visual wallpaper, collage and sound, to sculpture and design, transforming itself into thought-provoking devices that are ignited only by the attention of the spectator. A confirmation email has been sent to you. Please refresh the page and try again. Our hands can grasp dreams, simulating a cave that focuses on our desires: This exhibit is kindly supported by the New York Council on the Arts. Per una storia dei rapporti tra arte e scienza Milan , has used the case of scientific illustration to demonstrate how the representation of plants and animals, which was hypothesized as neutral, has always been conditioned by its context according to the moment in history with its ruling fashions and sensibilities, but also according to the artistic vocation of the illustrator. Thanks to the custom-made service, the atelier provides tailor-made solutions for any environment, thus personalising it through these works of art.

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Please refresh the page and try again. In other words, a mechanism that, in order to exist, must be founded on a relationship, a sharing moment among different individuals who accept confines within fracesco they may move, without limiting the freedom of their single actions. Swell uses ornament and subtext as an instrument of political critique.

The project Acrobazie, curated by Elisa Fulco at the Adriano e Michele Painting Atelier of the Fatebenefratelli hospital, was initiated with the intention of bringing together in a direct creative experience professional artists and patients involved in the therapeutic and recreational activities of the painting atelier.


Follow the instructions in the email to reset your password. Playful historical images of Coney Island rides and other human intervention along the water intertwine with scenes of flora and fauna that once flourished along the Gowanus Canal.

The Fabscarte team looks for simeit in nature and art to create handmade wallpapers that combine matter, texture and colour in unprecedented ways, giving a new language to interior design. Visitors are invited to explore different avenues of inquiry, taking time for self-reflection while simultaneously connecting with their community and its history.


Painting, sculpture, installation, collage, industrial design: Three decorative paper panels realised with a very sophisticated artisanal technique: This is no more than a new field in which to play with the concept of environmental responsibility, and to critique the use and consumption of a nature seen as mere catalogue, which we experience only through framcesco forms books, art, gardens and never directly.

Francesco Simeti / Fabscarte :: Doppia Firma

Francescl could have been. Nature and Home acquire the value of projection: In so doing he touches all possible gradations from truth to falsehood and back siimeti without, however, sacrificing the component of play, the possibility of combining and recombining the pieces as if it was all a great game, albeit one that is also serious, even tragic.

Wallpaper is simfti decorative element; historically, it can be classified in a category to which sculpture or installation itself do not belong — although it configures in the latter; wallpaper belongs to decorative arts, not to the so-called fine arts. Nature, seen in this light, loses its bucolic character and becomes artifice, deceit, a mere backdrop on which to project the need for a Nature of which we are in fact often ignorant.

Copies, drawings, nature, artifice, game, architecture, ready made, alienation, utopia: I would like to receive Art Basel newsletters. Please support NYC Youth be more sustainable!

Francesco Simeti: Swell

KoKo is building a mobile workshop. Rather than an approach that ranges across techniques, a multidisciplinary approach, even though this is congenial to the artist, it seems more appropriate to speak of verifying the boundaries of each single discipline, continually testing the points of permeability between the different technical approaches; so it is not just a matter of making drawing flow into photography, or sculpture into design, but rather one of gathering together all the elements to a point where the definitions themselves implode, collapse, thus creating an authentic universe of the possible, a sort of collage on macroscopic scale.

This exhibit is kindly supported by the New York Council on the Arts. With this material, and with the revision of the modular game The Toy Charles and Ray Eames,this dialogue between the outsider art and the work of Simeti represents an experience of deep and reciprocal human and creative enrichment. Francesco Simeti presents Swella theatrical installation at Open Source Gallery that explores human impact on the environment.


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Francesco Simeti

With the patience of a miniaturist and using a collage technique suggested by Simeti, Luigi Cremaschini has built complex structures and spaceship-houses, taking inspiration from the utopian architecture of the Archigram.

One of these is the Adriano and Michele Painting Atelier, an open space within the psychiatric hospital of San Colombano. In SwellSimeti transforms appropriated images from Brooklyn waterways, such as the Gowanus Canal, into a motorized installation in which the public can contemplate the consequences of human activity on our surroundings. Remember me on this device. The canal was declared a Superfund site in yet remains the home of industrial factories, small businesses, artist studios and rapidly gentrifying residential areas.

The two constructions, on the contrary, are built by appropriating images, but they emphasise the architectural element of the structure – albeit the architecture of an origami, of a house of cards, in short of a game — the same element that reappears in a long series of drawings that re-elaborate the images proposed to the atelier artists, images that refer to some of the masters of utopian architecture of the 20th century and earlier; a trip as it were through personal and collective dreams relating to the very concept of habitation.

If the problem persists, please try again later. A collector of images that are archived according to theme war, famine, rubble, nature, design, architectureSimeti is the theoretical heir to the Renaissance Wunderkammern, which he returns to us in a contemporary and postmodern version. Inattention and haste will prevent us from grasping the double and triple meanings that are often implicit in his works. Fabscarte is a Milan-based atelier producing hand-painted wallpaper.